{"id":11545937,"date":"2025-07-07T15:57:20","date_gmt":"2025-07-07T19:57:20","guid":{"rendered":"https:\/\/www.baltimoresun.com\/?p=11545937&#038;preview=true&#038;preview_id=11545937"},"modified":"2025-07-07T16:00:47","modified_gmt":"2025-07-07T20:00:47","slug":"review-sorry-baby-is-a-witty-moving-portrait-of-life-in-the-aftermath-of-a-college-assault","status":"publish","type":"post","link":"https:\/\/www.baltimoresun.com\/2025\/07\/07\/review-sorry-baby-is-a-witty-moving-portrait-of-life-in-the-aftermath-of-a-college-assault\/","title":{"rendered":"Review: \u2018Sorry, Baby\u2019 is a witty, moving portrait of life in the aftermath of a college assault"},"content":{"rendered":"<p>\u201cWrite what you know\u201d only gets you so far. An awful lot of debut films, even from writer-directors with talent, start from a personal place only to end up at a weirdly impersonal \u201cuniversal\u201d one you don\u2019t fully believe, or trust.<\/p>\n<p>\u201cSorry, Baby\u201d is so, so much better than that. Eva Victor\u2019s first feature as writer-director, and star, feels like a lived experience, examined, cross-examined, ruminated over, carefully shaped and considered.<\/p>\n<p>Its tone is unexpected, predominantly but not cynically comic. The movie doesn\u2019t settle for \u201cwrite what you know.\u201d Victor followed a tougher, more challenging internal directive: Write what you need to find out about what you know.<\/p>\n<p>The story deals with a college sexual assault, without being \u201cabout\u201d that, or only about that. \u201cSorry, Baby\u201d concerns how Agnes, the sharp-witted protagonist played by Victor, makes sense of her present tense, several years after she was mentored, then raped, by her favorite professor, with the bad thing now in the past but hardly out of sight, or mind.<\/p>\n<p><iframe loading=\"lazy\" title=\"Sorry, Baby | Official Trailer HD | A24\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Rc0jgWoZo9w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Victor arranges the telling non-chronologically, which keeps this liquid notion of past and present flowing as a complicated emotional state. When \u201cSorry, Baby\u201d begins, Agnes is thriving as an English literature professor at the same tiny New England college she attended as a graduate student. She now lives near campus with her cat in a somewhat remote old house, crammed with books. Lydie, Agnes\u2019s good friend from grad school played by the superb Naomi Ackie, has come for a visit, and the magical rightness of the interplay between Victor and Ackie gives the film a warm, energizing hum.<\/p>\n<p>At one point, Lydie asks her if she leaves the house much. Agnes responds verbally, but her body language, her evasive eyes and other \u201ctells\u201d have their own say. Lydie\u2019s question lingers in the air, just before we\u2019re taken back to Agnes and Lydie\u2019s grad school years for the film\u2019s next chapter.<\/p>\n<p>Here we see Agnes on the cusp of her future, surrounded by ideas and novels and opinions, as well as an envious fellow student (Kelly McCormack, a touch broad as written and played in the film\u2019s one tonal misjudgment). Agnes\u2019 writing has attracted the attention of the campus conversation topic Decker (Louis Cancelmi), a faculty member with a faulty marriage and a barely-read but undeniably published novel Agnes admires. The admiration is mutual, even if the power dynamic is not.<\/p>\n<p>At the last minute, the teacher reschedules his meeting with Agnes to take place at his house near campus. We see Agnes arrive, be greeted at the door and go inside. The camera stays outside, down the steps and by the sidewalk, for an unusually long time. Finally she tumbles, more or less, back out on the porch; it\u2019s getting dark by this time; Decker appears in the doorway, trying to apologize, sort of? Kind of?\u00a0 And the scene is over.<\/p>\n<p>Only later do we learn some unnerving particulars of what happened to Agnes, once she is ready, finally, to talk about it with Lydie. \u201cSorry, Baby,\u201d as Victor said in one post-screening discussion, began with the notion of how to film the assault \u2014 meaning, what not to show. \u201cIn real life,\u201d the filmmaker said, \u201cwe don\u2019t get to be behind the door. We hear what happened and we believe people. (And) we don\u2019t need to be inside to know.\u201d<\/p>\n<aside class=\"related left\"><h2 class=\"widget-title\" data-curated-ids=\"\" data-relation-type=\"automatic-primary-section\">Related Articles<\/h2><ul><li>\n\t\t\t<a class=\"article-title\" href=\"https:\/\/www.baltimoresun.com\/2025\/07\/28\/at-70-godzilla-keeps-on-smashing-expectations-buildings\/\" title=\"At 70, Godzilla keeps on smashing expectations, buildings\">\n\t\n\t\t\t\t<span class=\"dfm-title metered\">\n\t\t\tAt 70, Godzilla keeps on smashing expectations, buildings\t\t<\/span>\n\n\n\n\t\t\t<\/a>\n\t\n\t\n<\/li><li>\n\t\t\t<a class=\"article-title\" href=\"https:\/\/www.baltimoresun.com\/2025\/07\/25\/fantastic-four-review\/\" title=\"\u2018The Fantastic Four\u2019 review: In a jet age dream of Manhattan, Marvel\u2019s world-savers take care of business\">\n\t\n\t\t\t\t<span class=\"dfm-title metered\">\n\t\t\t\u2018The Fantastic Four\u2019 review: In a jet age dream of Manhattan, Marvel\u2019s world-savers take care of business\t\t<\/span>\n\n\n\n\t\t\t<\/a>\n\t\n\t\n<\/li><li>\n\t\t\t<a class=\"article-title\" href=\"https:\/\/www.baltimoresun.com\/2025\/07\/24\/doug-roberts-longtime-actor-dies\/\" title=\"Doug Roberts, longtime Baltimore stage and screen actor, dies\">\n\t\n\t\t\t\t<span class=\"dfm-title metered\">\n\t\t\tDoug Roberts, longtime Baltimore stage and screen actor, dies\t\t<\/span>\n\n\n\n\t\t\t<\/a>\n\t\n\t\n<\/li><li>\n\t\t\t<a class=\"article-title\" href=\"https:\/\/www.baltimoresun.com\/2025\/07\/17\/eddington-joaquin-phoenix-pedro-pascal\/\" title=\"\u2018Eddington\u2019 review: Joaquin Phoenix and Pedro Pascal, once upon an early COVID time in the West\">\n\t\n\t\t\t\t<span class=\"dfm-title metered\">\n\t\t\t\u2018Eddington\u2019 review: Joaquin Phoenix and Pedro Pascal, once upon an early COVID time in the West\t\t<\/span>\n\n\n\n\t\t\t<\/a>\n\t\n\t\n<\/li><li>\n\t\t\t<a class=\"article-title\" href=\"https:\/\/www.baltimoresun.com\/2025\/07\/10\/michigan-native-dean-cain-honored-to-have-played-superman\/\" title=\"Dean Cain honored to have played Superman\">\n\t\n\t\t\t\t<span class=\"dfm-title metered\">\n\t\t\tDean Cain honored to have played Superman\t\t<\/span>\n\n\n\n\t\t\t<\/a>\n\t\n\t\n<\/li><\/ul><\/aside>\n<p>From there, \u201cSorry, Baby\u201d continues its flow back and forth, in the years in between what happened and where Agnes is now. There\u2019s an eccentric neighbor (Lucas Hedges, unerring) who initially appears to be call-the-police material, but it doesn\u2019t work out that way at all. Lifelines can come from anywhere, Agnes learns, and expressing oneself honestly and directly is easier said than done.<\/p>\n<p>Throughout this precisely written film, we see and hear Agnes caught in weird language-built labyrinths as she squares off with the college\u2019s HR department while attempting to file a report against the professor, or \u2014 much later \u2014 Agnes at jury duty selection for an unrelated matter, explaining the incident in her past to her questioner in weirdly funny ways. Victor\u2019s a tightrope-walker in these scenes; \u201cSorry, Baby\u201d is as much about everyone around Agnes, performing their understanding, or concern, regarding the Bad Thing in her past. <\/p>\n<p>Some of the more overt bits of bleak comedy are better finessed than others, and you wouldn\u2019t mind another five or 10 minutes of hangout time, complementing the well-paced overall structure. But even that\u2019s a sign of success. How many standout movies have <em>you<\/em> seen this year that made you think, you know, that actually could\u2019ve been a little longer? Clear-eyed, disarming and, yes, plainly semi-autobiographical, \u201cSorry, Baby\u201d takes every right turn in making Agnes far more than a tragic yet wisecracking victim, with a smiling-through-tears ending waiting around the bend. She\u2019s just living her full, up-and-down-and-up life, acknowledging the weight of that life without solving or dissolving the bad thing.<\/p>\n<p>This is Victor\u2019s achievement, too, of course. Already, this quietly spectacular first-time filmmaker\u2019s promise has been fulfilled.<\/p>\n<p><strong>\u201cSorry, Baby\u201d \u2014 3.5 stars (out of 4)<\/strong><\/p>\n<p>MPA rating: R (for sexual content and language)<\/p>\n<p>Running time: 1:44<\/p>\n<p>How to watch: Premieres in theaters July 4<\/p>\n<p><em>Michael Phillips is a Tribune critic.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A college assault shadows the present-day life of a literature professor in &#8220;Sorry, Baby.&#8221;<\/p>\n","protected":false},"author":13,"featured_media":11545938,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"apple_news_api_created_at":"2025-07-07T20:00:52Z","apple_news_api_id":"7eb55e0a-e72c-4a98-b793-841505100bb5","apple_news_api_modified_at":"2025-07-07T20:00:52Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/AfrVeCucsSpi3k4QVBRALtQ","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_is_hidden":false,"apple_news_is_paid":false,"apple_news_is_preview":false,"apple_news_is_sponsored":false,"apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"middle","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"subheadline":"A college assault shadows the present-day life of a literature professor in &quot;Sorry, Baby,&quot; Eva Victor&#039;s bracing first feature.","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[120,113],"tags":[],"feature":[],"location":[],"type-of-work":[],"coauthors":[16606],"class_list":["post-11545937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-things-to-do"],"post_status":"","edit_last":0,"edit_lock":0,"highlights":"","original_byline":"","original_canonical":"","original_category":"","original_email":"","original_id":0,"original_pubdate":"","original_source":"","primary_section":"120","primary_tag":0,"print_workflow_body":"","print_workflow_exported_ts":"","print_workflow_exported_username":"","print_workflow_shapes":"","print_workflow_side":"","really_short_title":"","short_title":"","syndication_source":{"canonical":"https:\/\/www.chicagotribune.com\/2025\/07\/07\/review-sorry-baby-is-a-witty-moving-portrait-of-life-in-the-aftermath-of-a-college-assault","id":"cG9zdDoyMTI1Mzg4","siteName":"Sharing Dash","syndicationSourceStack":[{"canonical":"https:\/\/www.chicagotribune.com\/2025\/07\/07\/review-sorry-baby-is-a-witty-moving-portrait-of-life-in-the-aftermath-of-a-college-assault","id":"cG9zdDoyMTI1Mzg4","siteName":"Sharing Dash","sourceUrl":"https:\/\/sharingdash.medianewsgroup.com"}],"source_url":"https:\/\/sharingdash.medianewsgroup.com"},"market_neutral_title":"","social_title":"","dfm_hub_post_id":0,"paywall_level":"metered","featured_media_content":{"content_type":"image","content":{"id":11545938,"title":"CTC-L-SORRY-BABY-REVIEW-01","filename":"CTC-L-SORRY-BABY-REVIEW-01.jpg","url":"https:\/\/www.baltimoresun.com\/wp-content\/uploads\/2025\/07\/CTC-L-SORRY-BABY-REVIEW-01.jpg","link":"https:\/\/www.baltimoresun.com\/2025\/07\/07\/review-sorry-baby-is-a-witty-moving-portrait-of-life-in-the-aftermath-of-a-college-assault\/ctc-l-sorry-baby-review-01\/","alt":"","author":"13","description":"","caption":"Eva Victor in &#8220;Sorry, Baby,&#8221; which she also wrote and directed. 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